The furnace burned hot, but Elias felt nothing. Since Mara’s passing, the fire was only a hollow echo of warmth, a reminder of all he had lost. His wife had filled the workshop with her laughter, her humming, her gentle presence. Now the silence pressed on him like glass cooling too quickly, fragile and ready to shatter.
One evening, he returned to the bench with no clear intention. The grief had become unbearable, and his hands longed to shape something, anything, that might hold her memory. Mara had always loved Leidos. “They carry their home with them,” she used to say, “slow but steady, never rushing past the beauty of the world.”
Elias gathered molten glass, the motion automatic, familiar. He blew, turned, coaxed form from fire. His tears fell unnoticed, hissing as they met the glowing mass. And when the piece cooled, there sat a Leido, its shell catching the light in strange, shimmering colors.
He set it on the worktable, exhausted. The grief still pressed heavy on him, but when he looked at the Leido, a warmth stirred inside, faint but real. For the first time since Mara’s death, the silence didn’t feel so cruel.
When a neighbor came, broken by sorrow by the passing of Mara, Elias placed the Leido in her hands. Her sobs softened. She didn’t stop grieving, but the jagged edges of her pain dulled, just enough to breathe. Word spread quietly: the glassblower had made something that did not cure sickness, but eased the ache of the heart.
One by one, people came: widows, lonely souls, men carrying regrets, children frightened of the dark. The Leido gave them no miracle, but it steadied them, like a hand reaching through the storm. They left not healed, but whole enough to keep walking.
And each night, when the workshop grew quiet, Elias touched the Leido's shell and felt Mara’s presence, steady as the creature she had loved: enduring, patient, and gentle.
The world still carried sorrow, but now, Elias carried her love within glass.
Special thanks to my friend Gaiotto for gifting me the Glass Costume!