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carissa118
99 entries · 64 comments · since 2009
April 2012
February 2012
Archeology5Feb 2012
June 2011
July 2010
Obese Fairy0Jul 2010
June 2010
Trash Fairy0Jun 2010
ONE
That each coven must have its leader and only he might order the working of
the Dark trick upon a mortal, seeing that the methods and the rituals were
properly observed.

TWO
That the Dark Gifts must never be given to the crippled, the maimed, or to
children, or to those who cannot, even with the Dark Powers survive on their
own. Be it further understood that all mortals who would recieve the Dark
Gifts should be beautiful in person so that the insult to God might be
greater when the trick is done.

THREE
That never should an old vampire work this magic lest the blood of the
fledgling be too strong. For all our gifts increase naturally with age and
the old ones have too much strength to pass on. Injury, burning -- these
catastrophes, if they do not destroy the Child of Satan will only increase
his powers when he is healed. Yet Satan guards the flock from the powers of
old ones, for almost all, without exception go mad.
In this particular, let Armand observe that there was no vampire then living
who was more than 300 years old. No one alive then could remember the first
Roman coven. The devil frequently calls his vampires home.
But let Armand understand here also that the effect of the Dark Trick is
unpredictable, even when passed on by the very young vampire and with all
due care. For reasons no one knows, some mortals when Born to Darkness
become as powerful as Titans, others may be no more than corpses that move.
That is why mortals must be chosen with skill. Those with great passion and
indominatable will should be avoided as well as those who have none.

FOUR
That no vampire may ever destroy another vampire, except that the coven
master has the power of life and death over all of his flock. And it is
further his obligation to lead the old ones and the mad ones into the fire
when they can no longer serve Satan as they should. It is his obligation to
destroy all vampires who are not properly made. It is his obligation to
destroy all those who are so badly wounded that they cannot survive on their
own. And it is his obligation finally to seek the destruction of all
outcasts and all those who have broken these laws.

FIVE
That no vampire shall ever reveal his true nature to a mortal and let the
mortal live. No vampire must ever reveal the history of t
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carissa1180
carissa1185 Aug 20090comments
Lestat de Lioncourt
Age appx: 200
Origin: France
Creator: Magnus
Fledglings: Gabrielle, Nicolas, Louis, Claudia, David

Louis de Pointe du Lac
Age appx: 200
Origin: Louisiana
Creator: Lestat
Fledglings: Claudia, Madeleine

Armand
Age appx: 550
Origin: Russia
Creator: Marius
Fledglings: Daniel

Claudia
Age appx: 60 (deceased)
Origin: Louisiana
Creator: Lestat ,Louis
Fledglings: none

Daniel Molloy
Age appx: 40
Origin: San Francisco
Creator: Armand
Fledglings: none

Gabrielle de Lioncourt
Age appx: 200
Origin: France
Creator: Lestat
Fledglings: none

Nicolas de Lenfrent
Age appx: 21 (deceased 1791)
Origin: France
Creator: Lestat
Fledglings: none

Marius
Age appx: 2000
Origin: Rome/Gaul
Creator: The Tree God
Fledglings: Pandora, Armand

Magnus
Age Appx: 500 (deceased 1789)
Origin: unknown
Creator: unknown
Fledglings: Lestat

Akasha
Age appx: 6000 (deceased 1984)
Origin: Egypt
Fledglings: Enkil, Khayman

Enkil
Age appx: 6000 (deceased 1984)
Origin: Egypt
Creator: Akasha
Fledglings: none

Maharet
Age appx: 6000
Origin: Egypt
Creator: Khayman
Fledglings: Jesse

Mekare
Age appx: 6000
Origin: Egypt
Creator: Khayman
Fledglings: none

Jesse
Age appx: 30
Origin: North Carolina
Creator: Maharet
Fledglings: none

Pandora
Age appx: 2000
Origin: Rome
Creator: Marius
Fledglings: none

David Talbot
Age appx: 75
Origin: London
Creator: Lestat
Fledglings: none

Khayman
Age appx: 6000
Origin: Egypt
Creator: Akasha
Fledglings: Maharet, Mekare

MemnochThe Devil
What can I say?....
He's the Devil!
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carissa1180
carissa1185 Aug 20090comments
Gothic fashion is a clothing style worn by members of the Goth subculture; a dark, sometimes morbid, eroticized fashion and style of dress.Typical Gothic fashion includes black dyed and crimped hair, bright lips and black clothes.Both male and female goths sometimes wear dark eyeliner and dark fingernails. Styles are often borrowed from the Punks, Victorians and Elizabethans. BDSM imagery and paraphernalia are also common.Some haute couture designers, particularly Alexander McQueen and John Galliano, have been associated with the goth aesthetic.

Cintra Wilson declares that "The origins of contemporary goth style are found in the Victorian cult of mourning." Valerie Steele is an expert in the history of the style.
Goth fashion can be recognized by its stark black clothing (or hair or makeup), The style initially emerged alongside the early 1980s Gothic rock scene. Simon Reynolds identifies the usual appearance of

"deathly pallor, backcombed or ratted black hair, ruffled Regency shirts, stovepipe hats, leather garments, spiked dog collars, the ensemble accessorized with religious, magical or macabre jewellery (bone earrings, rosaries, pentacles, ankhs, skulls), typically made from silver. ???
Reynolds also notes "fishnet stockings, black leather thigh boots, [and] witchy eye make-up."
Ted Polhemus described goth fashion as a

??? profusion of black velvets, lace, fishnets and leather tinged with scarlet or purple, accessorized with tightly laced corsets, gloves, precarious stilettos and silver jewelry depicting religious or occult themes. ???
Researcher Maxim W. Furek noted,
"Goth is a revolt against the slick fashions of the 1970???s disco era and a protest against the colorful pastels and extravagance of the 1980???s. Black hair, dark clothing and pale complexions provide the basic look of the Goth Dresser. One can paradoxically argue that the Goth look is one of deliberate overstatement as just a casual look at the heavy emphasis on dark flowing capes, ruffled cuffs, pale makeup and dyed hair demonstrate a modern- day version of late Victorian excess. ???
Goth fashion is sometimes confused with heavy metal fashion.

Icons
Theda Bara's look has inspired some types of Goth fashion.
One female role model is Theda Bara, the 1910s femme fatale known for her dark eyeshadow. Musidora, Bela Lugosi, Bettie Page, Morticia Addams, Nico, David Bowie, Lux Interior, Alice Coope
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carissa1180
carissa11831 Jul 20090comments
The goth subculture is a contemporary subculture found in many countries. It began in the United Kingdom during the early 1980s in the gothic rock scene, an offshoot of the post-punk genre. The goth subculture has survived much longer than others of the same era, and has continued to diversify. Its imagery and cultural proclivities indicate influences from nineteenth century Gothic literature along with horror movies and to a lesser extent the BDSM culture.

The goth subculture has associated tastes in music, aesthetics, and fashion, whether or not all individuals who share those tastes are in fact members of the goth subculture. Gothic music encompasses a number of different styles. Common to all is a tendency towards a lugubrious, mystical sound and outlook. Styles of dress within the subculture range from deathrock, punk, androgynous, Victorian, some Renaissance and Medieval style attire, or combinations of the above, most often with black attire, makeup and hair.

By the late 1970s, there were a few post-punk bands labeled "gothic." However, it was not until the early 1980s that gothic rock became its own subgenre within post-punk, and that followers of these bands started to come together as a distinctly recognizable movement. The scene appears to have taken its name from an article published in UK rock weekly Sounds: "The face of Punk Gothique", written by Steve Keaton and published on February 21, 1981. The opening of the Batcave in London's Soho in July 1982 provided a prominent meeting point for the emerging scene, which had briefly been labeled positive punk by the New Musical Express. The term "Batcaver" was later used to describe old-school goths.
Independent from the British scene, the late 1970s and early 1980s saw death rock branch off from American punk.[6] In 1980s and early 1990s, members of an emerging subculture in Germany were called Grufti[e]s (English "vault creatures" or "tomb creatures&quotwink.gif; they generally followed a fusion of the gothic and new wave with an influence of new romantic, and formed the early stages of the "dark culture" (formerly called "dark wave culture&quotwink.gif.
After post-punk
After the waning in popularity of post-punk, the subculture diversified both musically and visually. This caused variations in the "types" of go
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carissa1180
carissa11831 Jul 20090comments